Cover Date: January 2010
On Sale Date: November 2009
Writer: Jason Aaron
Artist: Roland Boschi
Letterer: Joe Caramagna
Colorist: Dan Brown
Editor: Sebastian Girner
Consulting Editor: Axel Alonso
Editor In Chief: Joe Quesada
Artist: Roland Boschi
Letterer: Joe Caramagna
Colorist: Dan Brown
Editor: Sebastian Girner
Consulting Editor: Axel Alonso
Editor In Chief: Joe Quesada
Cover Artist: Dustin Weaver
At the Jasper County Sheriff Station, the police talk about two
strangers in funny costumes whom they arrested the night before and
locked in with a group of rowdy, drunk brothers. When the cops go to
check the cells, everyone inside has been brutally murdered by the two
“funny costumes”, the Scarecrow and Madcap.
Two days later, Daimon Hellstrom, Jaine Cutter,
Sister Sara, and the Antichrist ride through the countryside on
motorcycles. They eventually arrive at a graveyard, which was supposed
to be a deconsecrated church that served as a gateway to Hell. Zadkiel,
who is becoming more powerful the longer he controls Heaven, has become
able to change and move the landscape - he moved the church to another
location. Hellstrom, tired of the games, wants to just kill the
Antichrist himself, but he's stopped at gunpoint by Jaine. Then the
foursome go off in search of the gateway to Hell that's been moved.
Hellstrom leads them to Jasper County , where he
senses the gateway to be close. However, the entire town seems to be
empty. They split up, and Cutter goes into a store in search of beer.
There she's confronted by Madcap, who asks her if she believes in God.
At a nearby town carnival, Hellstrom comes across the Scarecrow, who has
already killed several people and displayed their bodies on the
carnival rides. Hearing the sound of screams, Sara and the Caretaker
begin searching for any sign of life in the town. Sara hopes that Johnny
and Danny are doing better than they are, unaware that the two brothers
are on the side of a desert road fighting with one another. Sara and
the Antichrist find the townspeople in the park; they've all gone mad
and are attempting to kill one another. When they see Sara and the boy,
they start chasing after them. Sara and the Antichrist take refuge
inside a building, which they discover is actually the moved Satanic
church.
Back in the store, Madcap attempts to have a
theological discussion with Jaine, who has the Breathing Gun aimed at
his face. Madcap pulls his own gun, which fires bubbles at her, and she
responds by punching him in the face and kicking him across the store.
Madcap continues his insane rambling, unable to feel any pain from her
savage beating. So Cutter fires the Breathing Gun, and the sentient
bullet chases Madcap out of the store. She follows him into an alley,
where she finds Madcap holding the whimpering bullet - he'd used his
hypnotic stare to drive the sentient bullet crazy, just like he did to
everyone else in the town. Then, he turns his stare on her.
At the carnival, Scarecrow and Hellstrom have a
brief fight until Daimon is distracted by the villain's
mentally-controlled flock of crows. Scarecrow uses the opportunity to
stab Hellstrom in the back with his pitchfork, which also poisons Daimon
with fear toxin. Hellstrom begins to hallucinate, seeing himself as the
lord of Hell just like his father. Madcap and Scarecrow reunite, and
Madcap uses the enslaved Jaine to shoot the hallucinating Hellstrom with
her Breathing Gun. Back at Satan's church, Sara looks around and
decides that the gateway isn't there. The Antichrist tells her she's
wrong, right before she's hit in the back of the head. The gateway isn't
a place, it's a person - Master Pandemonium!
Elsewhere, the Gun Nuns are armed and ready to
protect their gateway to Heaven from the ones that are coming. Outside
their home stands Vengeance and the All-New Orb, in command of a legion
of undead zombie bikers!
I mean, it's a legitimate question considering the circumstance. |
THE ROADMAP
Zadkiel won the war for Heaven at the end of "Last Stand of the Spirits of Vengeance" in Ghost Rider (2006) # 32.
The Scarecrow was a recurring villain in the 1990s Ghost Rider series, starting with Ghost Rider (1990) # 7, and last appeared in the series as a prisoner of Blackheart in Hell in Ghost Rider (1990) # 86. He was next seen years later back on Earth in an issue of Geoff Johns' Avengers run.
Madcap first appeared in Mark Gruenwald's run on Captain America, and fought Dan Ketch exactly one time in Ghost Rider (1990) # 33.
Master Pandemonium last appeared in Ghost Riders: Heaven's On Fire (2009) # 2 as the go-between for Danny Ketch and Satan.
CHAIN REACTION
So I suppose its time to eat my foot after referring to this
series as “The Hellstorm and Jaine Cutter Show” in the review for # 2,
eh?
Nine times out of ten, I hate it when a comic
doesn't feature the character its named after. If I put down $3.99 for an issue of Ghost Rider, I damn well expect the Ghost Rider to actually be IN the issue. Normally, this bugs the shit out of me. But damn it, this issue here was so well-done that
I just can't stay mad at it. While its true that neither of the titular
Ghost Riders appear outside of a one-panel (and quite funny) cameo, the
story DID have a lot to do with the character's history. Specifically,
it brings back two villains from the book's previous long-running
incarnation, Madcap and the Scarecrow.
Madcap was a character I always had a fondness
for, and when Howard Mackie used him in a single issue of his Ghost
Rider run it seemed as if the villain might have finally found an
appropriate home. Alas, after setting up a suitable reason to have
Madcap as a recurring foil, he failed to make another appearance in
Ghost Rider. Its nice to see that rectified here. The Scarecrow, on the
other hand, was established as a core Ghost Rider villain all throughout
the book's second volume, and some pretty dodgy stuff was done to him
during that time. In fact, I'll just go ahead and say that by the time
he made his last appearance during Ivan Velez's run the Scarecrow was
absolutely nothing like the character was at his creation. Again, its
nice to see the “classic” incarnation of the Scarecrow is what we get in
this issue.
So while it may not be the Ghost Riders those two
antagonists come up against, their presence was enough to keep this
Ghost Rider fan happy. And oh, what a story that was concocted around
them. Unlike last issue's rather laughable Big Wheel and Trull the
Inhuman, these two are actually pretty formidable and horrific on their
own, let alone when paired together. Just the opening scene alone
establishes this, with the two villains lounging in a jail cell amidst a
number of corpses. Hellstorm and Jaine Cutter are pretty tough, but its
obvious that they had no idea what they were in for when Zadkiel set
Madcap and Scarecrow after them. Bonus villain: Master Pandemonium! Nice
to see he's being used outside of the humorous joke appearance a few
issues ago.
When I said earlier that Madcap and Scarecrow are
horrific characters, this is illustrated perfectly by Roland Boschi.
Madcap in particular looks great, a grinning maniac who believes in
nothing and feels no pain. Side note: has anyone ever considered a story
that pairs up Madcap and Deadpool? Seems like a story that would write
itself, to me anyway.
In all honesty, while this wasn't really a Ghost
Rider story at its core, it felt like I was reading a new issue of
Warren Ellis' classic Hellstorm series, and there's
nothing wrong with that. Next issue, teased fantastically by that final
splash page of Vengeance and the All-New Orb, looks to be promising
another Ghost Rider fight-fest. I, for one, can't wait to see it.
Brotherly love |
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