Shadowland (2010) # 2

Cover Artist: John Cassaday
Published: Oct. 2010
Original Price: $3.99

Title: Untitled
Writer: Andy Diggle
Artist: Billy Tan
Inker: Victor Olazaba
Letterer: VC's Joe Caramagna
Colorist: Christina Strain
Assistant Editor: Tom Brennan
Editor: Stephen Wacker
Editor-In-Chief: Joe Quesada
 
SYNOPSIS
Outside the temple in Hell's Kitchen, now renamed Shadowland, cabbie Jack Lockley is beginning his investigation into the disappearance of all criminals and cops now that the Hand has taken control. Lockley is secretly the vigilante Moon Knight, and his plan is to be taken captive by the ninjas.

Elsewhere, Iron Fist and Luke Cage are in Fist's soup kitchen discussing Daredevil's murder of Bullseye and whether they should step in and stop their friend from making any more mistakes. Surprisingly, the Kingpin and his bodyguard Lady Bullseye come through the door and suggests an alliance between them to drive the Hand out of Hell's Kitchen. The Kingpin tells them that eventually, they're going to have to take down Daredevil themselves. Meanwhile, inside his Hand temple, Daredevil tells his aide Black Tarantula that they need reinforcements - all costumed heroes are invited to join the Hand.

In the penthouse of Fisk Tower, the Kingpin prepares a magical ritual using an ancient scroll stolen from the Hand. He plans to summon the Zugaikotsu warrior, one of the Hand's most ancient of enemies, and use him as a weapon against Daredevil. Fisk completes the spell, and a moment later the windows of his office are blown out by the demon warrior, who wants to know why he has been summoned. The Kingpin answers "what else...vengeance."

Back in Shadowland, Daredevil gives an audience to his former friends: Cage, Iron Fist, Shang-Chi, Misty Knight, and Colleen Wing. The heroes attempt to talk Daredevil out of what he's doing in Hell's Kitchen, but he refuses to listen even when Spider-Man arrives to join the discussion. Down in the Shadowland dungeon, Moon Knight is in a cell next to several captive SWAT officers. Using a regurgitated lock pick, Lockley escapes his cell - but before he can free the others, he hears a motorcycle engine. The Zugaikotsu has arrived, and it is actually the Ghost Rider. Daredevil is informed that the dungeon is under attack, which causes him to believe that the heroes have plotted against them. He orders his ninjas to take them, dead or alive!

ANNOTATIONS
Ghost Rider last appeared in Deadpool (2008) # 26.

The ramifications of Kingpin's spell are revealed in Shadowland: Ghost Rider # 1.

REVIEW
Ghost Rider makes his grand entrance in the Shadowland crossover, and while his arrival is handled well the crossover itself just isn't clicking with me.

I think my biggest problem with Shadowland is that it just doesn't feel important; no matter how hard Marvel tries to sell it as a major event, it doesn't have the epic feel that such an event should have. It seems to me that this was a normal Daredevil story that Marvel inflated into a crossover event just to publish an army of tie-ins. So, what should have been a deeply personal story for Daredevil is turned into a cash grab for characters who really have no business in the story. And, as much as I hate to say it, Ghost Rider is one of those characters. I'm not sure where the idea that Ghost Rider is a "street level" hero came from, when he's spent the last few years fighting against Satan and angels.

But at least Diggle gives Ghost Rider an appropriate internal reason for showing up in Shadowland. Normally, Johnny Blaze wouldn't care about what Daredevil's doing (and why should he, he has bigger concerns), so having the Kingpin force him to take action was a good move. It also plays into a larger theme for Ghost Rider, with him being manipulated by an evil force once again, though that's more a concern of the Ghost Rider tie-in issue.

Another problem I have with this series is the artwork by Billy Tan. I'm not sure what happened to Tan, I loved his work on Ed Brubaker's Uncanny X-Men run but his work here is...well, it's just boring. The characters have no life to them, the fight scenes are badly choreographed, and there's just no pizzazz. A story like this, for these characters, would be aided greatly by an artist who could establish mood (which is why Alex Maleev and Michael Lark were so great in their Daredevil runs). Tan draws it like any other superhero story and it just sucks the life right out of Diggle's story. I also hate how artists these days can't decide on a uniform look for Ghost Rider's hell-cycle; Tan's bike looks nothing like Clayton Crain's in the tie-in. Where are the editors at moments like this?

Shadowland has really disappointed me so far, and if Ghost Rider wasn't part of the cast I wouldn't bother to pick up the remaining issues.

Grade: C-

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