Cover Date: March 2011
On Sale Date: January 2011
Writers: Dan Abnett & Andy Lanning
Artist: Brad Walker
Inker: Andrew Hennessy
Letterer: VC's Joe Caramagna
Colorist: Jay David Ramos
Assistant Editors: Rachel Pinnelas & John Denning
Editor: Bill Rosemann
Editor-In-Chief: Joe Quesada
Inker: Andrew Hennessy
Letterer: VC's Joe Caramagna
Colorist: Jay David Ramos
Assistant Editors: Rachel Pinnelas & John Denning
Editor: Bill Rosemann
Editor-In-Chief: Joe Quesada
Cover Artist: Dougie Braithwaite
Misty Knight, using the handle "Control", hires international
bounty hunter Silver Sable as her next agent. Elsewhere, at the Bronx
morgue, Paladin goes against Misty's orders and investigates the bodies
of fourteen people killed in one of eight mass shootings with weapons
that can punch through body armor, vehicles, and even walls. Misty has
uncovered a name in connection to the shootings, gun-running Derin
Vitali, but Paladin believes there's more to the case. Knight, however,
has already seen Silver Sable after Vitali.
At Manhattan's west side dock, Sable is in a
firefight with Vitali's men, who are using weapons that can cut through
anything, making her armor useless. Back at the morgue, Paladin finds a
gun fused to the hand of one of the shooters. He calls in Satana, who is
a supernatural antiquities dealer, and she tells him that the weapon is
cursed - it's called a Demonica Soulcutter that fires demon bullets
capable of ripping the souls out of its target. The bullets eat souls
and will eventually fuse to and corrupt the gun's owner until they are
devoured as well. Suddenly, the corpse comes to life, reanimated by the
Demonica, but Satana easily dispatches him. Paladin contacts Misty and
tells her to pull her agent out immediately.
Back at the docks, however, Sable has picked up
one of the Demonica weapons and is using it to fight back against
Vitali's men. Misty orders her to drop the gun, but Sable finds that
she's unable to let go of it. At that moment, Silver Sable and Vitali's
men are teleported from New York to Miami by Baron Brimstone, a villain
who combines sorcery with super-science. Misty tracks Sable's location
and sends word that there's another agent on the way back-up. Then
Johnny Blaze, the Ghost Rider, roars through the compound, scattering
Vitali's men. Ghost Rider quickly takes out all of the soldiers, leaving
only Baron Brimstone, whose escape is cut off by Sable. She throws the
Demonica gun away, allowing Brimstone to claim it - but when he pulls
the trigger, he finds that Silver has taken out the bullets. Brimstone
is then dragged though a portal to Hell, to answer to the demon
responsible for the Demonica. The Miami compound explodes behind the
escaping Ghost Rider and Silver Sable.
Misty, meanwhile, tells Paladin that she's holed
up in her in her control room. But Paladin is standing in her empty
control room, because Knight is secretly in a coma and under the control
of the Puppet Master.
Ghost Rider actually sounds pleasantly surprised. |
THE ROADMAP
Ghost Rider last appeared in X-Men: To Serve and Protect # 2 and appears next in Amazing Spider-Man/Ghost Rider: Motorstorm # 1.
Misty Knight most likely met Johnny Blaze in the aftermath of Shadowland # 5.
Ghost Rider appeared on the cover of Heroes For Hire (2011) # 1 but didn't make his appearance in the series until this second issue.
CHAIN REACTION
After being teased in the first issue, Ghost Rider finally makes
his way into the Heroes For Hire series.
Heroes For Hire's
first issue was a great introductory issue with a fantastic cliffhanger -
even if I was disappointed that Ghost Rider was front and center on the
cover but didn't appear at all in the story - and I was a little
worried that Abnett, Lanning, and Walker wouldn't be able to keep up the
momentum in its second issue. In this instance, I'm glad they proved me
wrong.
I find the Heroes For Hire concept to be one with
infinite possibilities for exciting character matches. This issue brings
together two characters I wouldn't have believed to be such great
compliments to one another: Ghost Rider and Silver Sable. The two play
off one another well, and I especially liked Sable's role in the story.
Silver Sable is a character I've always liked, but she's one that
writers seem to have no idea what to do with. So it's great to see her
handled well here. I've seen other reviews of this comic that take issue
with Ghost Rider's role, complaining that he's being manipulated once
again. I don't see it that way, because Misty is obviously implementing a
"scratch my back, I scratch yours" way of doing business - I don't know
what she could have offered Blaze, but it's obvious to me that he
wouldn't have been there to help if he didn't want to be there. It's
also great that Ghost Rider's finally being portrayed as the unstoppable
juggernaut that Shadowland failed to deliver on.
One of the things that makes this series so
enjoyable is Brad Walker's artwork, which is so full of life and energy
that every panel is exciting. Silver Sable's appearance on the first
page is magnificent, the image of Misty's lips speaking into the
microphone is the most distinctive image of the series, and his Ghost
Rider...oh man, his Ghost Rider is amazing! Compare Walker's Ghost Rider
scenes with Billy Tan's in Shadowland, the difference is as extreme as
night and day (even if Walker does use the design for Ghost Rider's
motorcycle that Tan created and I seriously dislike).
Abnett, Lanning, and Walker sold me on Heroes For Hire, which is impressive considering it was a spin-off from
the terrible Shadowland crossover. It's too bad Ghost Rider didn't have a return engagement with the series before it ended.
It's not delivery, it's demonica. |
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