Cover Date: December 1990
On Sale Date: October 1990
Writer: Howard Mackie
Artist: Mark Texeira
Inker: Harry Candelario
Letterer: Clem Robins
Colorist: Gregory Wright
Editor: Terry Kavanagh
Editor in Chief: Tom DeFalco
Artist: Mark Texeira
Inker: Harry Candelario
Letterer: Clem Robins
Colorist: Gregory Wright
Editor: Terry Kavanagh
Editor in Chief: Tom DeFalco
Cover Artist: Jim Valentino
In Cypress Hills Cemetery, the young Oriental girl and her unknown
savior stand over the unconscious Wolverine and Ghost Rider. The girl
says to her companion that the two heroes saved her lives, and that they
should help them in return. The onlookers' father then appears, the
same man that was Jack D'Auria's sensei, Yuji. He tells his son that he
and his daughter, Brigitte, can handle the situation, and that he needs
to go make sure there are no more of Deathwatch's men in the area.
Weakly, the Ghost Rider stands and painfully gets on his motorcycle,
riding away without saying a word.
The next evening, Wolverine awakens as his mutant
healing factor kicks in, and he sees the silhouette of a man through
blurred vision. He jumps out of the bed, ripping an I.V. tube out of his
arm as he strikes, his claws hitting the one light in the room. Still
hazy from the drugs pumped into his system, Wolverine attempts to find
his opponent in the pitch black room. He comments to himself that his
enemy has blended his scent in with that of the room, but the mutant can
still barely hear the man breathing. Wolverine swings blindly in the
dark, hitting nothing, but in turn gets hit himself. The X-Man swings
again, but again hits nothing. On the third swing, Wolverine connects,
drawing blood. As the stranger draws a sword, Wolverine locks onto the
smell of his blood and pins down his location. Before either men can
strike, a woman's voice yells out the name "Sean", and turns on the
light, allowing Wolverine to only barely miss being stabbed by the
stranger's sword. Before Wolverine can get a good look at his opponent's
identity, the man crashes through a window and escapes. Brigitte, the
one who turned on the lights, tells Wolverine that the two of them must
talk.
Meanwhile, Dan Ketch rides to NYU Medical Center
to visit his hospitalized friend, Jack. The gas cap on his motorcycle
begins to glow, and Dan sees several of Deathwatch's men scaling down
the hospital, still after Jack. Dan transforms into the Ghost Rider, who
rides straight up the building. Grabbing the assassins' repelling
ropes, the demon pulls them all back up to the roof, where he easily
defeats the three men. He grabs one of them by the throat and demands to
know what Deathwatch wants with Jack. When the ninja remains silent,
the demon drops him off the edge of the roof. Yuji then approaches the
Rider, stating that he did not think he was a killer. GR then stands
aside to show that his chain was attached to the ninja's foot, dangling
him above the street. The Rider pulls him up, and Yuji states that it is
time for them to talk.
That is one terrified ninja, folks. |
THE ROADMAP
Jack D'Auria was injured by Deathwatch's men in Marvel Comics Presents (1988) # 64.
This issue of Marvel Comics Presents also contained stories featuring Poison, the Warriors Three, and the Thing.
CHAIN REACTION
Howard Mackie returns to a familiar narrative trick while the
mystery of Deathwatch's plan continues...and this story is actually
starting to shape up somewhat.
In the first chapter of "Acts of Vengeance",
writer Mackie introduced a rather inventive narrative technique that
split the story in half horizontally across the page, allowing both
Wolverine and Ghost Rider's separate stories to be told simultaneously.
It was a clever way to show two different parts of the world with two
different characters while making it clear that it was happening at the
same time. We get a return to that technique here (and not for the last
time in this story) with Wolverine and Ghost Rider being separated
following their battle, and it helps to introduce more plot elements
into a story that I was afraid would be nothing but fight scene after
fight scene.
There's a lot to like about this chapter,
particularly on Wolverine's side of the narrative fence. The X-Man has
to fight an unknown character, one still hidden from the readers after
his appearance last issue, in a completely dark room. While it gives the
artist the excuse to be potentially lazy, it's also another nice touch
to make the story's events unique. Ghost Rider's side isn't quite as
inventive - another Ghost Rider versus Ninjas scene - but the chapter as
a whole reads quite well.
Even Mark Texeira's artwork is starting to look
better, and his Wolverine absolutely shines during the fight scene with
the mystery man. I'm still not digging Candelario's inks, but at least
some of the sloppiness has been improved.
"Acts of Vengeance" is finally starting to take
shape into a story with potential...it's too bad that potential winds up
being squandered.
An odd way to dodge a sword. |
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