Inner Demons Episode 47 - "My Big Fat Olympian Wedding"




Inner Demons is holding its own "Challenge of the Ghost Riders" as Brian and Chris judge which of our four comic reviews will win the race for the throne of Hell!  Ghost Rider (2019) # 2 is the early favorite, will its Damnation Stare give it the edge it needs to pull ahead or will Johnny Blaze's hellfire hammer from Avengers (2018) # 25 knock the opponents out of commission?  Can Pluto's plot from The Champions (1975) # 2 secure its racing dominance or will Suicide and Zodiak ensure an easy victory for Ghost Rider (1990) # 19?  If you want to keep up on all the pole positions be sure to give this episode your full attention, or don't and forfeit your soul!

You can listen to the episode at the Vengeance Unbound page on blogspot, or you can download it from StitcheriTunes, or Google Podcasts.  You can also find us on Facebook, just search  for "Vengeance Unbound" and on Twitter under @InnerDemonsGR.  Thanks for listening!

Ghost Rider (2019) # 1

"The King of Hell, Part 1"

Cover Date: December 2019
On Sale Date: October 2019

Writer: Ed Brisson
Artist: Aaron Kuder
Letterer: VC's Joe Caramagna
Colorist: Jason Keith
Editor: Chris Robinson
Senior Editor: Jordan D. White
Editor-in-Chief: C.B. Cebulski
Cover Artist: Aaron Kuder

In Hell, a group of demons loyal to Mephisto open a portal to Earth. They are attacked by Johnny Blaze, the King of Hell, and his demon soldiers, but some of the escaping demons make it through the portal to possess new human bodies. Leaving his lieutenant D'Kay behind to guard the portal, Blaze travels to Earth himself to hunt down the escapees.

In Brooklyn, at the Fadeaway Pub, Danny Ketch gets in a fight with two men, which is interrupted by a visit from his ex girlfriend, police detective Stacy Dolan. Danny tells her not to worry about him, and after she leaves he goes out back and transforms into the Ghost Rider. He finds not only a giant rampaging demon but also his brother, Johnny Blaze. Danny kills the demon by riding down its throat and turning it inside out. Meanwhile, back in Hell, D'Kay is killed by Lilith.

At the Fadeaway, Johnny asks Danny to help him round up the escaped demons. Danny refuses, saying he just wants to be left alone. Blaze notices one of the patrons leaving, then chides Danny before leaving the bar himself. While Danny goes to the cemetery to visit his mother's grave and get drunk, Blaze follows the man from the bar back to his apartment. Johnny attacks the man, revealing him to be a demon before sending him to He'll. Danny is visited by his mother's ghost, who tells her son that Johnny has been corrupted by Hell and must be stopped.

"The Caretaker Chronicles"

Writer: Ed Brisson
Artist: Juan Frigeri
Letterer: VC's Joe Caramagna
Colorist: Jason Keith
Editor: Chris Robinson
Senior Editor: Jordan D. White
Editor-in-Chief: C.B. Cebulski

Sister Sara, the granddaughter of the Caretaker and inheritor of his mantle, rides through the desert, following a psychic summoning. She arrives at a cave, where she finds a library of books similar to her grandfather's.  She touches one of the books and experiences a vision of things to come involving the Ghost Riders.

Danny is perpetually having "one of those days".

THE ROADMAP
Danny Ketch/Ghost Rider made his last appearance in Absolute Carnage: Symbiote of Vengeance # 1, when Johnny Blaze asked him to help Alejandra Jones.  Danny failed and Alejandra was killed by Carnage during the events of that issue.

Johnny Blaze became the King of Hell in Damnation: Johnny Blaze - Ghost Rider # 1 and last appeared in Avengers (2018) # 25.

Stacy Dolan, Danny's ex-girlfriend, first appeared in Ghost Rider (1990) # 1 and was a regular supporting character throughout that series.  She last appeared in Marvel Comics Presents (2007) # 12.  Danny's mother, Audra Ketch, also first appeared in Ghost Rider (1990) # 1 and she made her last appearance in Ghost Rider (1990) # 90.  She apparently died not long before this issue.

Blaze's lieutenant in Hell, D'Kay, first appeared in Marvel Comics Presents (1988) # 116.  He last appeared in Iron Fist (2017) # 80.  He is killed in this issue by Lilith, who first appeared in Ghost Rider (1990) # 28 and appeared last in Witches (2004) # 4.

Sister Sara first appeared in Ghost Rider (2006) # 26 and became the new Caretaker in Ghost Rider (2006) # 27 when she touched her grandfather's books about the history of the Spirits of Vengeance.  She last appeared in Ghost Riders: Heaven's On Fire (2009) # 6.

This issue also has a "Legacy Numbering" that factors in all previous issues of Ghost Rider through various reboots over the years, with this issue clocking in at # 237.

Those chains look freaking PAINFUL.

CHAIN REACTION
Danny Ketch rides back into his first ongoing series since the 1990s and it is a glorious sight to behold.

To say that this comic was eagerly anticipated by Ghost Rider fans is a bit of an understatement, and it's a rare case of Marvel hedging their bets and actually providing some excitement and buildup for Danny Ketch's return.  With all of the focus on Johnny Blaze over the last 20 years it seemed like Marvel had forgotten that Danny Ketch's 1990s series was the most successful that the Ghost Rider character has EVER been.  Now, I'm sure no one expected this series to sell like its predecessor, which was one of the most popular comics of its time, so allowing the creators to slowly build interest in the series over the previous year was very smart.  With the Avengers series doing a concurrent Ghost Rider story and the previous appearances of Ketch throughout the Marvel Universe (Absolute Carnage, Punisher, etc...), it looked like Marvel was really serious about making this book a success.  It was a huge sea change from when Marvel cancelled the last Ghost Rider series after five issues, with its sixth already solicited and never published.  Marvel was confident about Ghost Rider, and specifically Danny Ketch, as a character again.

They also couldn't have picked a better writer to handle this series than Ed Brisson (other than Howard Mackie coming back, of course), who has guided Danny through his appearances in the prior year and made him a compelling lead character.  Brisson's first issue of this series is brimming with nods to past Ghost Rider continuity, just as his previous stories were, and it's like a nod toward everyone else who grew up with the 1990s Ghost Rider.  He's also writing a Danny Ketch that's spot-on, updating him from his 90s personality by incorporating the slightly dodgy stuff that Jason Aaron and Simon Spurrier did with him in 2008.  Nothing has been disregarded, Brisson's Ketch is a fascinating integration of those two interpretations of the character.  He's put upon and downbeat, and in comparison to his more successful (I say in quotes) brother he's not really much of a Ghost Rider at all.

Which is where this newest look at Johnny Blaze comes into play as the King of Hell.  We've seen Johnny in this role during the previous year, specifically in the "Challenge of the Ghost Riders" arc in Avengers that was eagerly painting him as a villain.  It's a natural consequence to ruling Hell, I'd assume, that he'd go just a little corrupt.  At least here he seems to have pure motives until the end, but his bullying toward Danny is pretty par for the course considering their tumultuous history as brothers.  In fact, it's an interest inversion of their last major encounter, when Danny was the one that had been corrupted and overpowered by Zadkiel.  So having Johnny be the one in power and looking down on Danny is a great role reversal that I'm sure Brisson will likely flag up in coming issues.

The artwork for this comic, oh sweet Jesus the artwork, is by Aaron Kuder.  I'm familiar with Kuder's work in passing for his Guardians of the Galaxy and Action Comics runs, but not because I read those titles, just from cover art alone.  I wasn't prepared for how much I enjoyed his art here, it is absolutely on point for every panel of every page.  His work reminds me a lot of a toned down Frank Quitely, with his lanky and haggard figures and texture of the environments.  His panel compositions and action staging is impeccable, especially the pages with Ghost Rider fighting the giant demon.

Overall, I could not be more satisfied with this comic. It absolutely lived up to my expectations and I cannot wait to see what happens next. Highest possible recommendation.

Spider-Man (1990) # 22

Cover Art: Erik Larsen
Published: May 1992
Original Price: $1.75

Title: "Revenge of the Sinister Six, Part 5: The Sixth Member"
Writer: Erik Larsen
Artist: Erik Larsen
Letterer: Chris Eliopoulos
Colorist: Gregory Wright
Editor: Danny Fingeroth
Editor in Chief: Tom DeFalco

SYNOPSIS
While the Sinister Six bicker among themselves in their New Jersey hideout, Spider-Man recuperates in his apartment with his wife, Mary Jane. The Sinister Six attack a building in New York that is actually a Hydra satellite relay station, with plans to hold the world hostage with a doomsday satellite. Spider-Man sees this on the news and goes to stop his enemies, but finds Hulk, Ghost Rider, and Sleepwalker outside the building. The heroes team up and storm the building. Sleepwalker fades away when his human host wakes up across town, Hulk and Ghost Rider are smashed down by the villains' newest sixth member, the giant alien Gog, and Spider-Man is left alone and surrounded.

ANNOTATIONS 
Spider-Man references the "New Fantastic Four" team that consisted of Spider-Man, Wolverine, Ghost Rider, and the Hulk and first appeared in Fantastic Four (1961) # 347.  This issue nearly reunites the quartet, swapping out Sleepwalker for Wolverine.

Ghost Rider fights the Hobgoblin, who he last encountered alongside Spider-Man in Ghost Rider (1990) # 17.

REVIEW
Erik Larsen's Sinister Six story just throws everything but the kitchen sink at the readers, which in this chapter means a sorta reunion of the "New" Fantastic Four.

While there's certainly an old school charm to this comic, the manic vibe combined with the ridiculous space wasted on subplots drags it down to an almost unreadable level.  Erik Larsen was an untried writer at this point, with this being (to my knowledge anyway) his first major work as a writer as well as artist.  It shows, too, not so much by the characterization since he has a solid handle on Spider-Man and most of the guest-stars but by the way the issue is paced.  The storyline to this point had featured Spider-Man and Random Hero getting beat by the Sinister Six, and taking the time in the fifth chapter to show that the villains can't get along is a little labored.  Why bother when none of those problems between the villains come back into play in the climax?  Similarly, the scenes with Peter and Mary Jane at home are a terrible match to be juxtaposed with the Sinister Six arguments, especially since it's just such a buzzkill for the comic.  I didn't mention them in the synopsis, but those scenes involve Mary Jane taking a movie role that has her doing a nude scene, and Peter objects for reasons. 

This isn't a Spider-Man blog, so how about that Ghost Rider appearance?  Well, he's certainly IN this comic, just not in any substantial way.  He's part of a wave of heroes that Larsen has been throwing at the villains for wand-waved plot reasons, and at least Ghost Rider did show up once already in the first chapter.  But having this be a really strained attempt to reunite the "New Fantastic Four" is hamstrung when Wolverine is substituted for Sleepwalker.  Writers would always miss the point of that "New FF" story, it was a parody of guest-stars being used to inflate sales, not something taken straight as it is here. 

Larsen's artwork is dependably solid, even though his Ghost Rider looks garishly out of place.  I think that might be my biggest problem with Ghost Rider appearing in this comic, he just doesn't fit at all.  He's in a similar situation as the poor Hobgoblin, who is still saddled with the "religious maniac" personality that Todd McFarlane bolted on to him.  Neither character seem like they should be in this story, which at the end of the day is just an excuse to show people punching each other. 

I can't deny that this story is fun as a throwback to 1960s Spider-Man, but when it invokes such 1990s stuff as Ghost Rider, demon Hobgoblin, and a nude movie role it deducts from that charm.

Grade: C+

Marvel Comics Presents (1988) # 124

Cover Art: Paris Karounos
Published: March 1993
Original Price: $1.50

Title: "The Walking Wounded, Part 2: Stir the Soup"
Writer: Ann Nocenti
Artist: Steve Lightle
Inker: Jimmy Palmiotti
Letterer: Michael Higgins
Colorist: Mike Thomas
Editor: Terry Kavanagh
Editor in Chief: Tom DeFalco

SYNOPSIS
Mary Walker is visited by Dusk, who comes from the Realm of Insanity and offers to take the Typhoid Mary personality away from her if she brings him the Ghost Rider.  Her vision is interrupted by her friend, Eve, who comes into the bathroom and tells Mary that Danny Ketch is hanging around waiting for her.  When they leave the bathroom they see the shopping mall is closing and the lights have already been turned off.  Mary is sent to get the van for the Women's Action Movement, passing by the people leaving the last movie showing as she goes toward the back doors.  When she finds the doors are locked, she's approached by two security guards who begin sexually assaulting her.  Sensing danger, Dan excuses himself to transform into the Ghost Rider, and finds Mary in her Typhoid identity defending herself against the security guards.  Ghost Rider recognizes Typhoid Mary from his dreams and gives her the Penance Stare, but is then interrupted by a passing priest from the movie theater.  The priest tells the Ghost Rider that only God can decide guilt and exact penance, prompting Ghost Rider to respond "Father, do you know who you are talking to?"

ANNOTATIONS 
This issue of Marvel Comics Presents also contained stories featuring Wolverine, She-Hulk, and Solo.

REVIEW
After a really stellar opening chapter, "Walking Wounded" starts to slip into some confusing plot points and mediocre artwork.

If any Ghost Rider comic should come with a trigger warning, it's definitely this one. Gender politics are a big part of Nocenti's Typhoid Mary stories, but I think this one is the first to depict an attempted sexual assault in such a blatant manner. Nocenti could easily be called put for the way she portrays the security guards as particularly ravenous men, but she at least balances them out with her positive portrayals of Dan Ketch and Father Martin. It doesn't make up for the disgusting attempted rape, nor does it paint Ghost Rider in a particularly flattering light at the end. Typhoid defends herself and gets the Penance Stare in return, which of course punishes her for taking a stand.

The most obvious explanation for the lecherous behavior of the guards and for Ghost Rider's assumptions is that Dusk, whoever that may be, is manipulating things. The first page has a great monologue from Dusk about his deal with Typhoid and his Realm of Insanity, but it doesnt explain what's happening at all. It took multiple readings of the story in total to figure things out, that the Typhoid that confronts Mary in the bathroom is not her other personality but actually Dusk assuming her form. It's frustratingly obtuse here because you can't really figure that out from the context of the first two chapters.

The artwork doesn't help things either, with the beautiful work Lightle did in the previous chapter making the work here look really bad in comparison. Lightle is not an artist whose work benefits from others laying hands on it, even when expediency necessitates it. Palmiotti amd Thomas drain all life from the pages, making dream like visual ques coming across as mundane and grounded with harsh inks and a garish color palate.

This is still a great arc with an intriguing premise, but the creative team needs to work on clarity above everything else.

Grade: B-

Ghost Rider/Blaze: Spirits of Vengeance (1992) # 5

Cover Art: Adam Kubert
Published: December 1992
Original Price: $1.75

Title: "Spirits of Venom, Part 2: Chasing Shadows"
Writer: Howard Mackie
Artist: Adam Kubert
Inker: Bill Reinhold
Letterer: Michael Heisler
Colorist: Gregory Wright
Editor: Bobbie Chase
Editor In Chief: Tom DeFalco

SYNOPSIS
John Blaze wakes up in the sewers surrounded by the Death Spawn, while around him rages a battle consisting of Ghost Rider, Venom, Spider-Man, Hobgoblin, Demogoblin, the Doppelganger, Hag, Troll, and the comatose Deathwatch.  Blaze also notices an innocent priest that has been pulled into the battle.  Wanting to force the Deathspawn to back off, Blaze shoots a gas main with his hellfire shotgun, causing an explosion that separates the combatants.  When Venom attempts to stop the Deathspawn from taking Spider-Man he gets in the way of Blaze's hellfire, causing the Venom symbiote pain.  A brief confrontation occurs between Venom, Blaze, and Ghost Rider that ends with Venom stalking away to find Spider-Man.  Ghost Rider then points out that Hag and Troll have left Deathwatch's body behind.  They follow the sounds of screams to a hole behind a wall, but lose Deathwatch to one of the Deathspawn that emerges from the hole.  Venom then reappears and shoves Ghost Rider and Blaze into the hole, following the Death Spawn.  Meanwhile, in New Jersey at the Quentin Carnival, blind psychic Clara Menninger has a vision of the carnival being destroyed.

Back in the sewers, Blaze, Ghost Rider, and Venom find a group of homeless people that the Deathspawn have brought to the caverns as food.  They also find Spider-Man, Father Martin, Demogoblin, Doppelganger, and Hobgoblin trapped against a nearby wall.  Hag and Troll appear with the rest of the Deathspawn and another battle ensues.  Once again, the Deathspawn separate, with the innocent people being taken one way and both Spider-Man and Deathwatch being taken another way.  Blaze argues to Ghost Rider and Venom that the people take priority over everything, forcing the three into an uneasy alliance.

ANNOTATIONS 
This issue is the second chapter of the four part "Spirits of Venom" crossover, which began in Web of Spider-Man (1985) # 95 and continues in Web of Spider-Man (1985) # 96.

Hag and Troll were believed to have died during Ghost Rider's final confrontation with Deathwatch in Ghost Rider (1990) # 24.  They were shown to be alive and killed the Guardsman in Web of Spider-Man (1985) # 94, which is why Venom is tracking them down.

The meaning behind Clara Menninger's psychic vision is revealed in Ghost Rider/Blaze: Spirits of Vengeance (1992) # 7.

REVIEW
The "Spirits of Venom" crossover hits part two of this really underrated story.

I really don't think there's been a better Ghost Rider creative team than Howard Mackie and Adam Kubert, whose work together on this series and this issue in particular hits all of the right notes for what a good story involving these characters should be like.  I've said before that Spirits of Vengeance was by far the stronger of the two Ghost Rider titles of this era, and this issue is a perfect example of why. It has a clear focus, strong character work from Mackie, and absolutely brilliant art from Kubert.

Even though there's a ton of characters running around, the plot to this crossover is fairly simple. The Deathspawn want to resurrect Deathwatch and Venom wants to eat Spider-Man's brain, while Blaze and Ghost Rider are trying to stop both. Its really just a series of extended fight sequences, but Mackie and Kubert do two very smart things to keep the comic from degenerating into battle after battle with shadow monsters.  First off, Mackie takes time to breath between fights to not only move the heroes further down into the tunnels but to also allow Ghost Rider and John Blaze to have some wonderful conversations. Having Blaze flag up the Ghost Rider's recent loquacious demeanor leads to some excellent banter, the two characters just have great chemistry under Mackie.

The second thing this comic does right is the way Adam Kubert uses the underground setting to make the panels feel absolutely claustrophobic for the readers and the characters. His dynamic character work is crammed between walls while simultaneously breaking out of panel borders. Venom in particular seems to defy being constrained by the pages, jutting out at uncomfortable angles at every opportunity and looking the scariest he's ever been. Kubert also fills the comic with so much personality, like with Ghost Rider making Deathwatch smile with his fingers on his mouth.

"Spirits of Venom" doesn't get brought up as much as it should when talking about classic Ghost Rider stories, but its yet another issue of solid gold from a great creative team,

Grade: A+