Inner Demons Episode 21: "Punching Robot Zodiaks"



Inner Demons jumps into the "Damnation" event with our extra-special crossover review of Doctor Strange: Damnation # 3!  If you want to hear reviews of the first two Damnation issues, plus loads of tie-ins, check out the other podcasts involved in this special crossover event: The Immortal Iron Fist Podcast - Sons of the Dragon, Defenders TV Podcast, and Into the Knight - A Moon Knight Podcast!  Also, in an extra-special tie-in flashback review segment, Brian and Chris review the "Strange Tales" crossover from 1991 between Ghost Rider (1990) # 12 and Doctor Strange: Sorcerer Supreme (1988) # 28!  

You can listen to the episode at the Vengeance Unbound page on blogspot, or you can download it from either Stitcher or iTunes .  You can also find us on Facebook, just search  for "Vengeance Unbound" and on Twitter under @InnerDemonsGR.  Thanks for listening!

Ghost Rider (1990) # 83

Cover Artist: Pop Mhan
Published: March 1997
Original Price: $1.95

Title: "House of Burning Souls"
Writer: Ivan Velez Jr.
Artist: Pop Mhan
Inkers: John Lowe & Jason Martin
Letterers: Richard Starkings & Comicraft
Colorist: Brian Buccellato
Editor: James Felder
Editor In Chief: Bob Harras

SYNOPSIS
The Ghost Rider laughs as he chases down a mugger, telling him to do no more evil after catching him.  Ghost Rider stops in an alley and ponders the unfairness of his curse and if he should relinquish his body, but then reconsiders when he remembers what it would do to his human host.  He transforms back into Danny Ketch, who realizes he is near his mother's house.  When he goes to see her, however, he finds her on the floor in tears with a strange package.  She had been visited by her daughter, Danny's dead sister Barbara, who left them a rotted human heart in a box with a note promising to return.

Meanwhile, in an abandoned auto junkyard, Brother Voodoo and the vampire Lilith investigate the disappearance of seven corpses from Cypress Hills Cemetery.  They find six of the bodies, which have been partially eaten, unaware that the seventh missing corpse is Barbara Ketch who is watching them from afar.  With her makeshift pitchfork, Barbara sends a flock of crows to attack Voodoo and Lilith, prompting the vampire to call forth her own army of rats to fight.  Elsewhere, Jennifer Kale returns to her destroyed apartment with John Blaze close behind, nagging her about helping him find his missing kids.  She kicks him out of the apartment but tells him to call her tomorrow.

Back in Cypress Hills, Danny takes his distraught mother to stay with Stacy Dolan, who tries to get Danny to call the police.  He tells her that it's a family problem and has to deal with it himself.  On the way back to his mother's house he's confronted by Barbara, who attempts to kill him with her pitchfork.  He realizes quickly that the Scarecrow, who he last saw in Hell, has taken over his sister's body.  When Danny threatens to transform into Ghost Rider, Scarecrow plants the seed of doubt that any harm he does to him may harm her as well.  Blaze drives by and grabs Danny, saving him from Scarecrow's flock of birds, and the two brothers take refuge inside Mrs. Ketch's home.  While Danny goes to check the back door, he notices something odd.  Blaze, then, is knocked unconscious from behind by Danny, whose body is now possessed by the Scarecrow.  In Hell, Blackheart and Black Rose watch and laugh, confident that their plan is working.

ANNOTATIONS 
Ghost Rider last appeared in Marvel Fanfare (1997) # 3.

Danny Ketch last faced the Scarecrow in Ghost Riders: Crossroads # 1; in that same issue he was reunited with his dead sister Barbara and was forced to leave her behind in Hell along with the Scarecrow.  Scarecrow was sent to Earth by Blackheart to reanimate Barbara's corpse in Ghost Rider (1990) # 77 and in Ghost Rider (1990) # 81 he sent a flock of crows to attack Francis Ketch.

The Lilith in this issue is the daughter of Dracula that first appeared in 1974's Giant-Size Chillers # 1; not to be confused with Lilith, Mother of Demons, who first appeared in Ghost Rider (1990) # 28.

Brother Voodoo met Danny Ketch and the Ghost Rider once before in Midnight Sons Unlimited (1993) # 7.

Jennifer Kale learned that she was a cousin to Dan Ketch and John Blaze in Ghost Rider (1990) # 78 and she agreed to help Blaze find his missing children in Ghost Rider (1990) # 81.

REVIEW
The Scarecrow makes a truly horrific return as Velez starts to pay off a lot of his simmering subplots from the last few months.

I have a confession to make: there was a period in the mid-1990s that I actually stopped reading Ghost Rider.  When Howard Mackie left the book it was coupled with my waning interest in comics as a whole, so I dropped everything I was reading (which by that point wasn't much) and walked away from my favorite character.  Fast forward about two years later and I find myself wandering into a comic shop while out with some friends.  I wandered over to the new comic shelf to see what Ghost Rider was up to, checking in on my old buddy, and I found two issues on the shelf.  One was issue # 79, the debut of the yellow and red costume, and this one, issue # 83.  I couldn't resist the temptation and picked up both to take home and read.  Issue # 79 wasn't that big a departure from what I was used, it still had Salvador Larroca on artwork, and though I was a little put off by the garish costume I was digging the story.  It did not prepare me for what I was going to find in THIS issue, though.

I hated this comic when I first read it, mainly as a reaction to Pop Mhan's artwork.  A lot of fans STILL hate this brief run of issues due to the art, and I totally get why readers used to Texeira and Larroca would have that opinion.  Looking at them now, though, I think I've come around to appreciating Mhan's work on the series more than I did back in the day.  The previous issue, the infamous one with Devil Dinosaur, is still uniformly terrible, don't get me wrong.  But this one, when paired with the really suitable inks of John Lowe, perfectly captures what is actually an extremely disturbing and scary storyline.  Everything is really exaggerated and stylized, of course, but look past that to some of the individual panels.  The shot of Scarecrow unleashing his crows in the junkyard, with the lightning flashing behind him, is amazingly terrifying.  The way Mhan draws Ghost Rider himself, with his cartoonishly grotesque skull, is offset by the amazing way he conveys the flames of his head and motorcycle.  I LOVE how Mhan draws fire, it has such motion and energy to it.  The artwork trails off again for the back 1/4th of the issue, when Jason Martin takes over the inks and makes things a lot more sketchy and blocky, but those first 16 or so pages look really, really nice.

The story, too, takes a real sharp turn with this issue.  Velez had given us two pretty long arcs in his run so far, the Vengeance story and the Noble Kale/Furies saga, and both had been pretty standard vigilante/supernatural superhero fare.  Instead of keeping that "par for the course" mentality, Velez drives the metaphorical motorcycle right over the edge into psychological horror for this third arc.  The Scarecrow suffers a bit from a wild characterization inconsistency, but I can deal with that when you've got the villain reanimating the corpse of Danny's dead sister, which makes for some really disturbing implications.  Velez makes an unfortunate decision to clutter up the story with two 1970s horror comic castoffs, Brother Voodoo and Lilith, which flags up an issue with his plots for the last few months.  He littered the previous issues with Valkyrie, Devil Dinosaur, and Howard the Duck, the former of which offered absolutely nothing to the story she was in.  Maybe editorial forced these characters on Velez to try and drum up interest in them?  I know the guest-stars stopped appearing once the book's editorship changed from Felder to Brevoort.

Regardless, "House of Burning Souls" sticks out in my memory as the comic that brought me back to Ghost Rider for the remainder of Velez's run.  I think it's a pretty great comic with only a couple of unfortunate creative decisions.

Grade: B+

R.I.P. Michael Fleisher

This morning I woke up to some really sad news that comic writer Michael Fleisher has passed away at the age of 75.  It was reported by Mark Evanier on his News From ME blog that Fleisher died back on the 2nd of February, he did not know the cause of death.  Fleisher had been out of the comics field for several decades, his last published work being in the late 1980s, but he had a lasting influence in the medium.  He started work at DC Comics as a writer, redefining the Spectre and Jonah Hex for the Bronze Age and introducing several notable Batman characters, such as the Electrocutioner.

For me, however, Fleisher will always be remembered as one of the defining writers on Ghost Rider during the original Johnny Blaze era.  He stepped into the series with issue # 36 alongside artist Don Perlin, and the two enjoyed a lengthy creative run on the series.  While Perlin bowed out with issue # 58, Fleisher continued to write the series until Ghost Rider # 66, giving him a run of 31 issues in total.  The Fleisher/Perlin team was successful in increasing the sales on the book, upgrading it from bi-monthly to monthly status after just four issues.

Fleisher was also instrumental in the development of the Johnny Blaze/Ghost Rider relationship, establishing that they were indeed two separate entities sharing one body.  Fleisher's moody, horror comic approach to the series breathed new life into the book, taking it as far away from superhero motifs as he could get.  Coupled with Perlin's atmospheric artwork, the book truly came into its own under their guidance.  Known for mostly one-shot stories, with the occasional 2-parter thrown in, the highlights of Fleisher's run included "The End of a Champion", where Blaze lost his title of World Stunt-Cycle Champion, and the 50th issue that teamed Blaze with the original Western Ghost Rider for the first time.

I'm going to end this post with some pages from one of my all-time favorite Ghost Rider stories, Fleisher and Perlin's first on the title.  Years ago, when I conducted a poll of "Greatest Ghost Rider Comics of All Time", Ghost Rider (1973) # 36's "A Demon in Denver" came in at # 4.  Click on the images to enlarge the pages.  Reprints of Michael Fleisher's run can be found in Essential Ghost Rider vol. 3 and vol. 4.

Venom: Nights of Vengeance # 1

Cover Artist: Ron Lim
Published: August 1994
Original Price: $2.95

Title: "Nights of Vengeance, Part 1: Reprisals in Blood"
Writer: Howard Mackie
Artist: Ron Lim
Inker: Al Milgrom
Letterer: Ken Lopez
Colorist: Tom Smith
Editor: Danny Fingeroth
Editor-in-Chief: Tom DeFalco

SYNOPSIS
A homeless man named Sean Knight is being chased through the back alleys of San Francisco by Michael Badilino, former NYPD and now a government agent.  When Knight is cornered, Badilino is grabbed by Venom, who has taken an oath to protect innocent people.  He knocks Badilino unconscious, Knight passes out, and he takes both men back to the underground city Venom calls home.  There, Knight regains consciousness and tells his story to Venom and a woman named Beck: Knight was a DEA agent who infiltrated a group of mercenaries called the Stalkers.  When the group discovered a wrecked alien ship they stole sets of battle armor, Knight blew his cover, and he's been on the run from them ever since.  Badilino wakes up and confirms Knight's story, saying he thinks the Stalkers may have connections to Anton Hellgate, who Badilino has been trying to find.  The conversation is interrupted by the arrival of the Stalkers, who threaten to blow up the underground city with a bomb if Knight isn't surrendered to them.  Knight goes outside to face them, but the Stalkers are then attacked by Venom, who disables the bomb.  When Venom begins to be overwhelmed by the four technologically superior mercenaries, Badilino transforms into Vengeance and joins the battle.  When the Stalkers are defeated, their armored suits cover them in circuitry, transforming them into hosts for an alien life form that goes from planet to planet looking for lifeforms to hunt.  Believing that Venom and Vengeance are worthy of being hunted, the alien-possessed Stalkers teleport away with the innocent people in the underground city, including Venom's lady friend Beck.  Knight volunteers to help the two "heroes", he knows where the Stalkers have gone.

ANNOTATIONS 
Vengeance last appeared in Ghost Rider (1990) Annual # 2.

Venom mistakes Vengeance for Ghost Rider, who he met during the "Spirits of Venom" crossover that ran through Web of Spider-Man (1985) # 95-96 and Ghost Rider/Blaze: Spirits of Vengeance (1992) # 5-6.

Michael Badilino had dealings with Hellgate sometime in his past, but most recently encountered him and his agents in Ghost Rider (1990) # 46-49.   He was captured by Hellgate in Ghost Rider (1990) # 50 and subjected to torturous experimentation before being rescued by Ghost Rider in Ghost Rider (1990) # 52.

REVIEW
Venom's ongoing series of mini-series sees a new storyarc by Mackie and Lim that teams him up with Vengeance, resulting in an overdose of 1990s EXTREEEEEEEME!

I've talked before in previous reviews that the '90s had a bad habit of taking popular "antithesis" villains and turning them into anti-heroes in their own right.  Venom was the first example, going from arguably THE most popular Spider-Man villain to a "lethal protector" with his own comic series.  Vengeance was next, quickly bumped up from villain to supporting character to outright taking over the ongoing Ghost Rider series.  This is the inevitable mini-series that teamed up the two, and honestly all it's missing is Sabretooth, who was going through his own rehabilitative attempt in the pages of X-Men at the time, for it to achieve critical mass of villains-turned-good.

I can only imagine that this mini-series must have been commissioned when Vengeance was still the lead in Ghost Rider, which resulted in such a huge backlash that the creators had to hit the reset button just five issues later in # 50.  This issue, and the arc as a whole, is pretty indicative of the brief Vengeance era, resulting in a bland and harmless story that feels like it really doesn't belong to the characters involved.  "Nights of Vengeance" is essentially Mackie writing his own version of Predator with the two angriest characters he had available, which makes it as unoriginal as it is inoffensively mediocre.  What could have been an interesting exploration in the anti-hero/villain trend is instead replaced by posturing and lots of teeth.

The artwork by Ron Lim really hammers home a lot of those points, as the work is filled with overly-muscled heroes who look surprisingly sanitized as superheroes despite their horrific character designs.  Lim doesn't really do well on stories like this, he fit in much better on titles like Captain America and Silver Surfer, because of how clean and bright his art looked.  Plus, Lim gives Eddie Brock the sweetest mullet ever, long hair in the back and flat top in the front, it's glorious.

Ultimately, this is a really bland comic that robs the characters of anything interesting to do while simultaneously being a perfect '90s time capsule.  I say pass on this issue and the mini as a whole.

Grade: C-

Retconning Ghost Rider's Origin (Again)

WARNING: This article contains spoilers from some recently released comics: Thanos # 16, Spirits of Vengeance # 5, and Doctor Strange: Damnation # 1.  If you haven't read them yet and don't want spoilers, please don't read this article.  There are NO spoilers for Damnation # 2, though, which was released today (go buy it, it's quite good).

Ghost Rider is a character with an origin problem, and that's a shame because it all started out pretty simple.  You know the story from the movies: Johnny Blaze makes a deal with the Devil to save his father figure's life but gets cheated, resulting in him becoming the Ghost Rider.  For the longest time, it was theorized that the Ghost Rider was simply the darkest parts of Blaze brought to the fore, but in the early 1980s it was revealed that the entity was an ancient demon named Zarathos that had been bound to Johnny's soul by Mephisto.  The "Satan" from the early issues, the one with which Johnny made his deal, became Mephisto as well (don't even get me started on the nonsensical cosmology of the Marvel Universe's Hell and its various Devils, we'll be here all day). 

The 1990s brought in a new Ghost Rider, who was emphatically NOT Zarathos.  Instead he was part of a line of mystical warriors called the Spirits of Vengeance, who fought Zarathos eons ago and sacrificed themselves to stop him.  The Ghost Rider was one of those Spirits and found himself bound to the body of Danny Ketch, inexplicably the long-lost brother of Johnny Blaze.  A writer change brought forth even more changes to the origin, this time giving the Ketch Ghost Rider a name and backstory all his own.  Noble Kale was a 17th century lad whose father was in league with Mephisto; the elder Kale sold his son to the Devil and had him transformed into "the first" Ghost Rider.  An angel stepped in, gave Noble a semi-permanent amnesiac state, and Mephisto cursed him to possess the bodies of his descendants.  Naturally, Johnny Blaze and Danny Ketch were both descendants of the Kale family, but Blaze was never possessed by Noble due to whole Zarathos thing. 

The Noble Kale Ghost Rider disappeared at the end of the 1990s, and when the character returned in the early 2000s it was once again Johnny Blaze as the spirit's host.  It was left really vague which "demon" was possessing Johnny this time around, even with the art clearly drawing him with the same visual look and outfit as the Ketch Rider.  In a run bridging two writers, it was revealed that the Spirit of Vengeance wasn't a being from Hell at all but was instead an angelic entity created by God to punish the wicked.  A whole slew of Ghost Riders were introduced around this time, one from every region on the planet, each with a lineage stretching back to Biblical times.  The story made it clear that all of the other origins for the character were lies and misdirections meant to keep the involvement of Heaven in the dark, and while things weren't absolutely coherent it at least gave the character a solid origin to work with going forward.  Nearly all of the international Ghost Riders were killed and only a few were left in circulation, specifically both Blaze and Ketch.

Subsequent writers only paid lip service to the Heavenly Spirit of Vengeance concept, with it mentioned in passing a few times whenever the character would make an appearance.  A change to a new character as the Rider's host, a girl named Alejandra, did at least confirm that Zarathos was again the possessing "demon" and had been since Blaze had taken back the mantle in 2001.  Still, it seemed like most writers were just happy to ignore the new origin without really addressing it at all.  When Robbie Reyes came around as the "all-new" Ghost Rider, he had a completely different origin involving the spirit of a satanist serial killer haunting a muscle car (though even that's been thrown into question after Marvel Legacy, where Reyes is shown possessing the Penance Stare).

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In the last month or two, though, the character's appearances in various books seems to have outright retconned the Heaven origin out of existence completely.  For example, let's break down the first to be released, last month's Spirits of Vengeance (2017) # 5.  It was written by Victor Gischler and drawn by David Baldeon and was the conclusion to the "War at the Gates of Hell" story-arc, where the Ghost Rider is able to enter a demilitarized zone  between Heaven and Hell in order to stop an archangel from being assassinated by bullets made from Judas' silver coins.

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When Blade questions how Ghost Rider was able to enter the zone at all, what with him being a demon, Hellstrom gives a convoluted explanation as to how that was possible.  According to him, the Ghost Rider being a "demon" is a misconception and that it technically doesn't originate from Hell.  However, for the Rider to be able to enter the Covenant at all, it couldn't have come from Heaven either, following the rules that the comic set up for the storyline.  That alone seems to disavow the Heaven origin, and with the statement that "the Spirit of Zarathos is the ultimate arbiter of vengeance" seems to be saying that only that specific entity is the Spirit of Vengeance and is outside of matters of Heaven and Hell.  Interestingly (or frustratingly), two comics that have been released in the month since Spirits of Vengeance ended may have invalidated the entire end to that mini-series.

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Thanos, by Donny Cates and Geoff Shaw, has introduced a future Cosmic Ghost Rider that was revealed to be an extremely insane Frank Castle.  The most recent issue, Thanos # 16, gave the origin story for the Castle Ghost Rider, involving the final war against Thanos that ended with the Punisher's death under a collapsed building.  In his final moments, he thought "I would give anything to punish that purple sonofabitch"; and when he died, that landed him in front of the throne of Mephisto.  And so, Frank Castle sold his soul to Mephisto to become the Ghost Rider, Spirit of Vengeance for a dead Earth.  This, of course, goes back to the original Johnny Blaze origin and the "Deal with the Devil" status quo that places the Ghost Rider firmly as a demon from Hell.  Right?  I mean, Mephisto hasn't been the handler for the Spirit of Vengeance for a few decades now, but this comic seems to state otherwise.  I could maybe just chalk this up to being the results of some future storyline readers aren't aware of, since the Thanos series obviously takes place in an alternate future timeline. 

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Than came Doctor Strange: Damnation # 1, which seems to double down on the Mephisto/Ghost Rider origin connections.  The premise of the Damnation event is that Doctor Strange resurrects the recently destroyed Las Vegas, including all of its dead citizens, and unwittingly opens it up as a portal to Hell.  Mephisto is lording over the city, claiming it as his domain, and overwhelms the city with sin and vice; the assembled Avengers fare no better than the regular citizens, either, as they become engulfed in hellfire.  They stand a few moments later transformed into...Ghost Riders?  This isn't just a visual coincidence, they're named as such in the next issue of Doctor Strange that serves as a tie-in to the event.  So, does that mean Mephisto is able to create Ghost Riders on a whim these days?  If the Spirit (or Spirits, plural) of Vengeance does originate from Hell, how does that jive with the end of Gischler's mini-series that hinged on the idea of the Ghost Rider NOT being a demon? 

Look, I know by now that trying to make sense of Ghost Rider's origin story is a lot like tilting at windmills by this point.  With all of this recent stuff, though, I'm afraid the character is again getting bogged down in contradictions that make Hawkman's origin look as simple as Batman's.  I'm now real curious to see where Damnation takes the idea of all these Ghost Riders, and I'm REALLY looking forward to how Jason Aaron is going to handle Robbie Reyes when he adds him to the Avengers this summer.  Until then, I think I'd give ANYTHING to have a solid, definitive origin for Ghost Rider, both as a character and a story engine.


Inner Demons Episode 20: "Spotlights & Cycle Tramps"



Hey kids, this episode of Inner Demons is all about the Power of Friendship!  Brian and Chris walk you through three classic comic reviews, featuring Ghost Rider (1973) # 6, Ghost Rider (1990) # 11, and Ghost Rider (2006) # 1 which highlights the following sterling examples of friendship.  Dave Barnett will teach you his tips on how to make friends and influence people using lassos and weaponized spotlights, Dan Ketch learns that he really just needs to accept his inner vengeance demon for who he really is, and Johnny Blaze teams up with Slimer for a relaxing cycle jump over a hell chasm.  After listening to this episode you'll be making friends in no time!

You can listen to the episode at the Vengeance Unbound page on blogspot, or you can download it from either Stitcher or iTunes .  You can also find us on Facebook, just search  for "Vengeance Unbound" and on Twitter under @InnerDemonsGR.  Thanks for listening!