Hellfire and Plastic: Action Figures

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Like a lot of comic collectors, I also collect action figures of my favorite characters.  Naturally, Ghost Rider is at the top of my list, I love buying and displaying all of the assorted Spirits of Vengeance that have been lovingly molded in plastic and faux-leather.  Of course, my son Johnny has made it impossible to display most of them, but I do have a special spot on top of my refrigerator for my most prized collectible possessions.  Displayed atop the freezer are my 1/6th scale premium format figures, which include Medicom's Ghost Rider and 1st Appearance Punisher, the Hot Toys Punisher modeled on Thomas Jane, and the Toy Biz Ultimate Ghost Rider figure complete with hellcycle!  I love those premium figures, though their high price tags mean that I can't really afford them these days.  It's unfortunate, because I'm about to hook you up with info on THREE new premium format Ghost Rider figures that are coming this year!

The first comes from BoBo Studios, the origin of which I'm not sure because they're a company/studio I've never heard of before.  This 1/6th scale figure is called "Spirit of Vengeance" and comes from the Ghost Rider: Spirit of Vengeance film, specifically the blue-flamed Ghost Rider that showed up at the end of the movie.  It comes with a switchable Nicholas Cage head (though honestly, who would display it as Cage instead of Ghost Rider?), several switchable hands, a chain and a shotgun.  The figure looks really great, you could even use a little bit of creative license and pass it off as a Danny Ketch figure from the "Addict" mini-series.  It retails for $134 and should be available for online orders now, I believe.

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Next is the 1/6th scale figure from Sideshow Entertainment, which is another Johnny Blaze figure, but one that's modeled more after the comic version.  This one looks fucking amazing with its articulating jaw and swappable hands; not much in the way of accessories, but the sculpt and uniform are so awesome that the chain and hands are enough.  This one retails for $219, but Sideshow has a monthly payment plan for $49 installments!  It's being released at the end of the year and should be well worth the wait. 

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Finally, the grandmaster king of the hill when it comes to these premium format figures is Hot Toys.  A few years back they released their version of Ghost Rider from the first movie, complete with light up hellcycle, that I have never been able to afford but would definitely sell my soul to own.  They just announced that they'll be releasing a new Ghost Rider figure based on Robbie Reyes from Agents of SHIELD!  No pictures of the figure have been released yet, nor do we know any details about what the figure will include by way of accessories.  Knowing Hot Toys, though, they'll probably include the Hell-Charger and price the thing at $500. 

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And you know what?  TOTALLY WORTH IT.

Western Gunfighters (1970) # 3

Cover Artist: Dick Ayers
Published: January 1971
Original Price: $.25

Title: "The Man Called Hurricane"
Writer: Gary Friedrich
Artist: Dick Ayers
Inker: Vince Colletta & Dick Ayers
Letterer: Artie Simek & Dick Ayers
Colorist: None Credited
Editor: Stan Lee

SYNOPSIS
Hurricane, a criminal gunfighter that possesses super-speed due to a potion he drank, trains in the desert to make sure he has recovered from a recent injury.  Nearby, Carter Slade passes by in his wagon, which is transporting the injured Natalie Brooks on their way to see a doctor in Denver.  Hurricane sees them pass and rushes forward to stop the wagon, finding Carter and the unconscious Natalie.  He also discovers Carter's mask and realizes that he's actually the Ghost Rider, who he decides to kill.  He ties Carter up and throws him off a nearby cliff.  Natalie awakens and screams, but before Hurricane can kill her the Ghost Rider arrives.  Hurricane finds that his speed is unable to overcome the Ghost Rider's "supernatural" powers, and rushes at the vigilante.  He passes straight through the Rider and goes sailing off the edge of the cliff, plummeting to his death.  The Ghost Rider is shocked, not realizing that his lantern projection would cause the villain to leap off the cliff by mistake.  Carter returns to the again-unconscious Natalie and continues on their way to Denver.

ANNOTATIONS 
Carter Slade made his last chronological appearance in The Ghost Rider (1967) # 7.  He makes his next appearance in Western Gunfighters (1970) # 1.  This story fills in the gap between those two issues.

The story in this issue was originally planned for The Ghost Rider (1967) # 8, but the series was cancelled halfway into the issue's completion.  Dick Ayers completed the story, including the inks and letters, and truncated it to 10 pages for its inclusion in this series.

This issue of Western Gunfighters also contained stories featuring the Apache Kid, Wyatt Earp, and Black Mask.

REVIEW
Ayers and Friedrich tie up their cliffhanger loose end with a bizarre villain and a fairly shocking ending.

When the original Ghost Rider series was cancelled after issue # 7, issue # 8 was already under production with half of the issue already drawn by Dick Ayers.  Western Gunfighters debuted a few years later, and with the Ghost Rider serial picking up from the end of the original series (with the same creative team, even), Marvel decided to dust off and complete the "Hurricane" story for use.  I'm not sure why they didn't just lead with this story in issue # 1, probably some behind-the-scenes reasoning, because it's not like Ayers wasn't still working on the character.  Maybe he completed this issue out of a love for the character after the anthology series started, since the second half of the story was inked and even lettered by him instead of by Colletta and Simek. 

Whatever the reason, the Hurricane story is pretty strange in its own right, mainly because the villain is ridiculously out of place.  Apparently, Hurricane first appeared as a villain for the Two-Gun Kid before he was brought back here, and I don't know if the super-speed aspect of his character was as prominent there as it is here.  Essentially, though, Carter Slade fights Wild West Flash in this story, and I really hate how the superhero stuff infected every other genre in comics during this era.  Instead of going the supernatural route, which would make the most sense if you're not wanting to do just straight cowboy stuff, we get superpowers and costumes to try and boost sales.  Instead, it just comes off as a clash of genres instead of a suitable mixture of the two.

The story was truncated down from 18 pages to 10, which is the length it would have been had it actually been published as Ghost Rider # 8.  I can't see how this would have possibly stretched out to fill an entire issue, because 10 pages is appropriately adequate for what happens.  Hurricane is such a one-note villain and the plot is so coincidental and simple, it works as an anthology inventory story but not as anything else.  There's no plot developments that necessitated the flashback, Western Gunfighters # 1 opened with Natalie having made it to Denver for the operation, so this story really serves  no purpose other than completion's sake.  The one positive thing I have to say about the story is that I did not see that ending coming, and having the guts to have the villain commit accidental suicide due to the hero's ghost gimmick was pretty inventive.

Ayers is of course the best artist for this material, but he does the art no favors by rushing through the comic to get it completed.  The first half, with inks by Colletta, are much more favorable to look at than what Ayers did in the second half, and that's a shame because Ayers inking himself usually leads to much better work than his collaborations.  Even with that, though, Ayers never produced anything other than a rock solid job on the artwork for the Ghost Rider and this story was no exception.

So this is a story that's not really necessary to the ongoing plot of the series, it doesn't explain what happened when Natalie and Carter got to Denver, it's just "oh yeah, this happened on the way".  Not very interesting, even for filler.

Grade: D

Wolverine (2010) # 2-5

Cover Artist: Jae Lee
Published: Dec. 2010 through March 2011
Original Price: $3.99

Title: "Wolverine Goes to Hell, Parts 2-5"
Writer: Jason Aaron
Artist: Renato Guedes
Inker: Jose Wilson Magalhaes & Oclair Albert
Letterer: Cory Petit
Colorist: Matt Wilson
Editor: Jeanine Schaefer
Editor-In-Chief: Joe Quesada

SYNOPSIS
Wolverine's soul has been sent to Hell, while a demon has taken control of his body and is systematically murdering Wolverine's friends and loved ones.  His current girlfriend, Melita Garner, has teamed up with Mystique to help rescue Wolverine, with the stipulation that Melita cannot contact the X-Men.  Instead she calls Logan's old friend, Yukio, for help.  While on the phone, Yukio is attacked by the demonically-possessed Wolverine and nearly killed.  Mystique also contacted some people for help, and the two women are met by Daimon Hellstrom and two Ghost Riders: Johnny Blaze and Danny Ketch.

While Wolverine endures the torments of Hell, Mystique takes Melita and her allies to the alley where Logan was captured.  Mystique herself had been part of the plot to send Wolverine's soul to Hell, but she's since changed her mind and wants to reverse what has happened.  Hellstrom tells them that while they can't get Wolverine out of Hell they can exorcise the demons residing in his body, which will give his soul a fighting chance to return.  They locate a church to do the exorcism in with the help of the Ghost Riders, they just have to find Wolverine, who has arrived at the X-Men's island home of Utopia.  He attacks the X-Men, nearly killing Colossus before being stopped by Blaze and Mystique.  Ghost Rider wraps Wolverine in his chains and drags him off of Utopia and across the bay back into San Francisco.

On the way to the church, Wolverine manages to pull Blaze and Mystique off the bike and attacks them both.  During the fight, Blaze gets beheaded and Mystique gets stabbed in the stomach, but before Wolverine can kill her the second Ghost Rider, Danny Ketch, drives by and grabs Logan by the leg, dragging him to the church.  Held by the Ghost Riders' chains, Hellstrom begins the exorcism on the demons inhabiting Wolverine's body, while Logan's soul fights its way free from Hell.  When the exorcism is over, Wolverine runs screaming from the church, with Hellstrom, the Ghost Riders, and Melita following behind him.  Outside to meet them are four of the X-Men: Cyclops, Emma Frost, Namor and Magneto, who are demanding answers to what's been happening.

ANNOTATIONS 
The Johnny Blaze Ghost Rider last appeared in Shadowland (2010) # 5 and had a cameo appearance in Daredevil (1964) # 511.  He appears next in Wolverine (2010) # 6.

The Danny Ketch Ghost Rider last appeared in Doctor Voodoo: Avenger of the Supernatural # 5 and he appears next in Wolverine (2010) # 6.

Blaze and Ketch last teamed-up with Daimon Hellstrom in Ghost Riders: Heaven's On Fire # 2.

REVIEW
"Wolverine Goes to Hell" not only brings the supernatural side of the Marvel Universe into the series, but also reunites Jason Aaron with the Ghost Riders.

Aaron had been writing Wolverine for a while before it was relaunched with this storyline, but his run on Ghost Rider had finished the year before.  So having Blaze and Ketch guest-star in this arc was a huge deal for Ghost Rider fans at the time, though it's a bit disappointing that they it was in little more than an expanded cameo.  So, even though Ghost Riders did technically appear in all four issues, it wasn't until # 5 that they had any impact at all other than standing around without any dialogue.  Hence the above abbreviated synopsis of the arc, which naturally left out all of the material about Wolverine actually being in Hell.  This isn't a Wolverine blog, so the only thing I was concerned about recapping was the material that actually featured a Ghost Rider.

But, again, there wasn't very much to talk about concerning the Ghost Riders, other than it was very cool to see Jason Aaron using them as Mystique's mystical back-up.  Daimon Hellstrom gets the bulk of the exposition, and that's fine, he's there to do the snarky dialogue while the Riders are his muscle.  Unfortunately, when it comes down to the final chapter of the arc, the Ghost Riders don't get a lot to do other than get chumped by Demon Wolverine.  The bulk of the story is taken up by Logan's journey through Hell and his fight with Satan, and that's totally understandable.  As a whole, this story is pretty freaking great, Jason Aaron does a fantastic job with Wolverine as a character, and the Hell idea is pretty novel. 

The artwork by Renato Guedes is pretty great, too, though I'm not real familiar with his work outside of this and his brief run on DC's Constantine series.  He depicts the Hell sequences adequately enough, and his action is great.  The demonic Wolverine tearing his way through Utopia is exceptionally well-done, and the splash page introduction of the Ghost Riders in issue # 2 is one of my favorite pieces of art featuring those characters.  He's an artist I wouldn't mind seeing on a Ghost Rider series proper at some point in the future.

All in all, this is a great arc with spot-on writing and some good-to-great artwork.  It's just not much of a Ghost Rider story, even for a guest-appearance, so don't seek it out unless you're actually a Wolverine fan (or if you just want to read a good story, I suppose).

Grade: A

Night Rider (1974) # 4

Cover Artist: Gil Kane
Published: April 1975
Original Price: $.25
 
Title: "...And Men Shall Call Him Sting-Ray!"
Writer: Gary Friedrich
Artist: Dick Ayers
Inker: Vince Colletta
Letterer: Al Kurzrok
Colorist: None Credited
Editor: Stan Lee
 
SYNOPSIS
At a barn dance benefit to raise money for text books, the people of Bison Bend are robbed by a costumed villain named Sting-Ray.  While Carter Slade escapes to get his Ghost Rider outfit, the Sting-Ray uses his "paralysis bullets" to freeze Sheriff Brooks and Clay Rider in their tracks when they try to stop the robbery.  Sting-Ray escapes, but when Ghost Rider arrives to purse him he is instead chased by a posse led by Sheriff Brooks.  Using his ghost tricks, the Ghost Rider is able to escape the men and return to the barn as Carter Slade, just as Natalie Brooks is leaving with her fiancé Clay.  Meanwhile, the Sting-Ray has returned to his identity as the operator of the town drugstore, where he concocted his "stun bullets".  He thinks back to his previous criminal identity as the Scorpion, and after he escaped prison he began his string of robberies as the Sting-Ray.  Now, in Bison Bend, he is ready to enact his plan to become "emperor of the West".

The next day, Ben Brooks talks with his men about catching the Ghost Rider, unaware that one of the men is secretly the Sting-Ray.  That night, while the men ride off to set a trap at an incoming gold shipment, the Sting-Ray kidnaps Natalie to hold hostage in exchange for power.  He takes her to the drugstore, but before he can hurt her he is confronted by the Ghost Rider, who followed the villain to the hideout.  The two men fight and Ghost Rider unmasks Sting-Ray just as the Sheriff and his posse arrive.  They attempt to arrest Ghost Rider, who barely manages to escape using his tricks.  When Brooks attempts to fire his gun at the fleeing Ghost Rider he is suddenly disarmed by the Tarantula, who claims friendship with the Ghost Rider.  The Tarantula rides away, but Brooks is now convinced that the Ghost Rider has to be a criminal despite Natalie's disbelief.

ANNOTATIONS 
This issue is a reprint of The Ghost Rider (1967) # 4.

To avoid confusion with the then-current Johnny Blaze character and series, when Carter Slade was reintroduced in the pages of Avengers his name was changed to Night Rider.  In this reprint series, all instances of the Ghost Rider's name were re-lettered to "Night Rider".  Marvel would change the name again to "Phantom Rider" in the 1980s when they realized the white-garbed Ku Klux Klan called their soldiers Night Riders, an unfortunate coincidence to say the least.

Inner Demons Banner Art Contest!

The INNER DEMONS podcast will be launching soon (we're recording the 2nd episode on the 25th!), and I wanted to reach out to you guys for some official podcast artwork! Essentially, we need a banner image/logo for the podcast, one that would be seen on iTunes, Stitcher, and other listening sites, and I'm holding a fan art contest to get one! The only stipulation is that I'd like it to have two Ghost Riders interacting in some way, one for me and one for Brian; other than that, run wild!

You will, of course, be credited for your contribution to the blog and thanked on the air by me. Also, whoever we choose as the winner will also receive a special Vengeance Unbound grabbag of comics and other swag. It will include a copy of the "Hot Pursuit" one-shot, among other cool things! So, yeah, if you're interested you can e-mail me at chrisdmunn@gmail.com or send me a personal message through the VU Facebook page (the link to which is in the top right corner of the blog). 

Thanks and good luck, Flameheads!
 
Brian and Chris, the Brothers Ghost Rider Ride Again!
 

Ghost Rider Special Edition (1995) # 9

Cover Artist: Karl Kerschl
Published: 1995
Original Price: N/A

Title: "Armored Vengeance"
Writer: Chris Cooper
Artist: David Boller
Inker: Derek Fisher
Letterer: Janice Chiang
Colorist: Jim Hoston
Editor: Glenn Herdling

SYNOPSIS
Outcast has taken a subway car hostage, gloating about how he destroyed John Blaze and now there is no one able to save his captives.  Blaze, now in a new armored form, blasts his way onto the train on his motorcycle and confronts Outcast, telling him that the armor saved his life.  He blasts Outcast with hellfire, blowing them both off the train and into the tunnel, where Outcast uses a water hose to douse Blaze's flames.  Hellfire, however, can't be doused by water, and Blaze shoots Outcast in the head with his shotgun.  Meanwhile, in another dimension, Zarathos boasts that he continues to gain knowledge on his enemies strengths and weaknesses.
 
ANNOTATIONS 
This mini-comic was the ninth in a series packaged with Toy Biz's line of Ghost Rider action figures. This issue came with the Armored John Blaze figure.
 
There's really no place to fit this series into established continuity. It obviously takes place after "Siege of Darkness" and Ghost Rider (1990) # 50, but the relationships between Ghost Rider, Blaze, and Vengeance certainly don't fit the characters at the time.
 
If this follows the standard Marvel continuity (which is questionable, at best), then Zarathos was banished to another dimension at the conclusion of the "Siege of Darkness" crossover in Midnight Sons Unlimited (1993) # 4.
 
In regular continuity, Blaze was injured by Centurious and received his cyborg enhancements in Ghost Rider/Blaze: Spirits of Vengeance (1992) # 15.
 
REVIEW
One of the worst character decisions of the 1990s gets its own action figure!

I still don't understand the thinking behind the cyborg/armored redesign of John Blaze, which took a really great character and made him into a carbon copy of Cable.  Still, I imagine that Toy Biz was enamored with idea, because it gave them another action figure derivative for their second wave of Ghost Rider action figures.  As a design by itself, the cyborg look isn't terrible, so it makes a decent looking toy.  For Johnny Blaze, though, it was and always will be an absolute shit idea.

Regardless, the spotlight for this mini-comic was of course on Blaze and his new armored form, though it really doesn't get much of a focus.  The armor was used at the conclusion to the last issue to save his life, and this issue allows him to get his revenge...but the armor wasn't really necessary, and you could tell Chris Cooper was having difficulty justifying the attention that the redesigned toy was supposed to have.  You could tell that Cooper was struggling on a LOT of this, because the dialogue is very clichéd and hackneyed, with such gems as "Noooooooo, I DESTROYED you!" when Blaze makes his entrance.  Outcast's big idea is to use a water hose against John, which is a bit anticlimactic.  It does, however, give us an ending where Blaze shoots Outcast in the fucking head with his shotgun, which is something I suppose.

The artwork for this issue isn't by Karl Kerschl, who I was hoping would draw the entire series of mini-comics for the second wave, but instead by David Boller.  I'm not real familiar with Boller's work, I think he might have been an artist on New Warriors or Night Thrasher back in the early 1990s?  He does a perfectly fine job on the art here, though just like most other artists he really has a difficult time making Blaze's android design work on the page. 

These mini-comics started with something of a plot, as bare bones as it might have been, but for the second wave of figures they've just become paint-by-number fight comics.  They're worth picking up for the collector, but for the casual reader they're not worth tracking down.
 
Grade: C-

Ghost Rider (2016) # 3

Cover Artist: Felipe Smith
Published: March 2017
Original Price: $3.99

Title: "Four on the Floor", Part 3
Writer: Felipe Smith
Artist: Danilo S. Beyruth

Letterer: VC's Joe Caramagna
Colorist: Jesus Aburtov w/ Federico Blee, Morry Hollowell, & Dono Sanchez Almara
Editor: Mark Paniccia
Editor In Chief: Axel Alonso


SYNOPSIS
In the Hillrock Heights neighborhood of East Los Angeles, the Totally Awesome Hulk and All-New Wolverine are confronted by Ghost Rider, who sees the Hulk and thinks he's another by-product of Mr. Hyde's strength-enhancing pills.  He drives his car into the Hulk, who barely manages to hold the vehicle back, and a ring of fire opens up beneath them.  At the same time, the pink alien monster erupts from the ground and attacks Wolverine, just as Ghost Rider and Hulk disappear, teleported by Robbie to the Arizona Desert.  Hulk and Ghost Rider fight to a stale-mate, but Robbie starts to lose control and transforms briefly into a more demonic form.  Robbie is able to regain control and turns back to his human self, telling Eli that Hulk has a "pure soul".  Robbie tells Hulk that he thought he was threatening his neighborhood and needed to be stopped somewhere away from innocent people.  Realizing their misunderstanding, Robbie teleports them back to Hillrock Heights, where they find Wolverine hanging out with "El Perro Ribioso", who Eli recognizes as the ex-convict working at Canelo's Auto Shop.  The alien monster left as soon as Ghost Rider and Hulk disappeared, as if it was disinterested in staying in the area.  Hulk and Wolverine invite Ghost Rider to help them find the monster, but he simply drives away without saying a word.

The next morning, Robbie complains to Mr. Canelo about "Mad Dog", but Canelo tells him that before he complains about other employees he should consider leaving his little brother Gabe with a babysitter instead of bringing him to work.  Meanwhile, Hulk and Wolverine have used their flying truck to track the monster to a casino in Las Vegas, where it has mutated once again and is now able to shoot webbing.  They are again unable to defeat the alien, which again escapes, and in the rubble of the casino they find the spider-powered hero Silk, who has been vacationing and attacked out of nowhere.  Silk agrees to join them in finding the alien and tells them that she has some friends that can help.  In the Mojave Desert, the three heroes are joined by Agents Coulson and May of SHIELD.

ANNOTATIONS 
This issue was released with a variant cover by Rahzzah.

Robbie mistakes the Hulk for one of Mr. Hyde's minions, who attacked Hillrock Heights in All-New Ghost Rider (2014) # 5 and again in All-New Ghost Rider (2014) # 10.

Wolverine encountered two previous Ghost Riders, Johnny Blaze and Alejandra Jones, during the "Circle of Four" storyline that began in Venom (2011) # 13.

Podcast Review: Inner Demons Episode 2 - "All-New Fantastic Circle of Four on the Floor" (Click to Listen)

REVIEW
Smith and Beyruth continue their team-up series, which now includes Silk as the Spider-Man stand-in for their "New Fantastic Four" homage story.

You know, had this been its own mini-series, like "All-New Fantastic Four" or something similar, I would be far more forgiving about the story's faults.  Amadeus Cho would still be an absolutely insufferable character to read, whose dialogue somehow gets worse with each issue, but I could then at least understand the off-kilter pacing that's inexplicably making it to the page each month.  As it stands with this issue, at least Ghost Rider gets the first 11 pages of his own comic before fucking off to wherever while his guest-stars once again take control of his comic.  That's like a 50% increase in his time spent on-panel, and this time actually as Ghost Rider!

I want to like this series.  I'm all in for Robbie Reyes and I think Felipe Smith is a writer capable of making a great Ghost Rider series, so what the hell is going on?  There has to be something happening behind the scenes that would allow the main character to be buried behind an onslaught of superhero guest-stars.  I do realize that I'm beating this over the creative team's head with each review, but it's THAT BIG OF A PROBLEM.  I, and I imagine most readers, want to read a Ghost Rider comic that's about Ghost Rider, NOT the Hulk, NOT Wolverine, NOT Silk, and NOT the Agents of SHIELD.  In fact, had this story led with the Agents of SHIELD as the main guest-stars, I would at least understand the reason behind that decision, considering the associations with the television show.  Now, though, it's just more clutter messing up what should be a sweet Ghost Rider series.

I understand that it's an homage to the Simonson/Adams "New Fantastic Four" story, but that's also the comic's biggest problem.  The "New FF" update has been done to death in the past several years, the culmination of which was the "Circle of Four" crossover just five years ago.  It was a novel idea that has passed its sell-by date and needs to be stopped, because there's nothing more to say about it that's interesting.  The point of the New FF was a satire of popular comic characters being thrown together as a sales gimmick, which doesn't work when you don't actually have Spider-Man or Wolverine to use.  Instead, it's a wink and a nod toward a story while simultaneously missing the point of the original. 

At least what we get to see of Ghost Rider this issue is quality material, giving us stuff that should have been there since the first issue.  Robbie gets to strut his stuff against the Hulk while also moving forward with the "evolution" angle of his powers, showing off some really disgusting slag vomit in the process.  I really like the first half of this comic, with Robbie in character and calling back appropriately to the events of All-New Ghost Rider's fights with Mr. Hyde.  If the rest of the comic, and the first two issues for that matter, were more like the first 11 pages then I would feel overwhelmingly positive about the series.  But no, the book continues to show disregard for its main character, because obviously Totally Aggravating Hulk is who the readers really want to see.

Danilo Beyruth, at least, continues to turn in a pretty good job on the book's artistic front.  His Hulk varies, especially in size and facial expression, but damn does he draw a wicked Ghost Rider.  His work lacks the kinetic dynamism that Tradd Moore brought to the table, but you can tell that Beyruth is trying to recapture some of that during the fight with the Hulk and the way the car moves in and around the battle.  See, I knew that if he actually got a chance to draw him Beyruth would do a killer Ghost Rider, glad the opportunity finally presented itself.

This book will not survive if it doesn't get its act together.  This issue at least had some steps in the right direction, but I personally cannot wait for "Four on the Floor" to finish so we can move on to better things.

Grade: C-

The Ghost Rider (1967) # 4

Cover Artist: Dick Ayers
Published: August 1967
Original Price: $.12

Title: "...And Men Shall Call Him Sting-Ray!"
Writer: Gary Friedrich
Artist: Dick Ayers
Inker: Vince Colletta
Letterer: Al Kurzrok
Colorist: None Credited
Editor: Stan Lee

SYNOPSIS
At a barn dance benefit to raise money for text books, the people of Bison Bend are robbed by a costumed villain named Sting-Ray.  While Carter Slade escapes to get his Ghost Rider outfit, the Sting-Ray uses his "paralysis bullets" to freeze Sheriff Brooks and Clay Rider in their tracks when they try to stop the robbery.  Sting-Ray escapes, but when Ghost Rider arrives to purse him he is instead chased by a posse led by Sheriff Brooks.  Using his ghost tricks, the Ghost Rider is able to escape the men and return to the barn as Carter Slade, just as Natalie Brooks is leaving with her fiancé Clay.  Meanwhile, the Sting-Ray has returned to his identity as the operator of the town drugstore, where he concocted his "stun bullets".  He thinks back to his previous criminal identity as the Scorpion, and after he escaped prison he began his string of robberies as the Sting-Ray.  Now, in Bison Bend, he is ready to enact his plan to become "emperor of the West".

The next day, Ben Brooks talks with his men about catching the Ghost Rider, unaware that one of the men is secretly the Sting-Ray.  That night, while the men ride off to set a trap at an incoming gold shipment, the Sting-Ray kidnaps Natalie to hold hostage in exchange for power.  He takes her to the drugstore, but before he can hurt her he is confronted by the Ghost Rider, who followed the villain to the hideout.  The two men fight and Ghost Rider unmasks Sting-Ray just as the Sheriff and his posse arrive.  They attempt to arrest Ghost Rider, who barely manages to escape using his tricks.  When Brooks attempts to fire his gun at the fleeing Ghost Rider he is suddenly disarmed by the Tarantula, who claims friendship with the Ghost Rider.  The Tarantula rides away, but Brooks is now convinced that the Ghost Rider has to be a criminal despite Natalie's disbelief.

ANNOTATIONS 
Carter Slade made his last chronological appearance in the back-up story in Ghost Rider (1973) # 51.

The Sting-Ray made his first appearance as the Scorpion in Rawhide Kid # 57.

The Tarantula last appeared chronologically in Ghost Rider (1973) # 50, and will appear next in The Ghost Rider (1967) # 5.

This issue was reprinted in Night Rider # 4, where all instances of Ghost Rider's name were changed to "Night Rider" following the debut of Johnny Blaze.

REVIEW
The Western Ghost Rider series goes all-in with an appropriation of the superhero genre trappings, so much so that you might as well re-name this series "Wild West Spider-Ghost Rider-Man".

While this series had dabbled with the superhero comic conventions that Marvel had popularized, what with the creation of the Tarantula as the book's first super-villain type in issue # 2.  There was also the ongoing "unrequited love" angle between milquetoast Carter Slade and Natalie Brooks (oh, and that mysterious Clay Rider, he's up to no good I tell you!) and the J. Jonah Jameson syndrome that had befallen Sheriff Ben Brooks, both definite byproducts of the Marvel House Style of the 1960s.  This issue takes things a step further by introducing the first no-holds-barred super-villain, the Sting-Ray.

The Sting-Ray is so Marvel Comics he might as well have Stan Lee's face emblazoned on his chest as a logo.  He's a character that had previous appeared under a different identity in a different comic series, namely as the Scorpion in the pages of Rawhide Kid.  He has a mask and cape and uses "paralysis bullets" in his six-shooter that he came up with during his day job as a pharmacist, which would be all well and good if he was fighting Daredevil in 1967.  However, he is fighting the Ghost Rider in the late 1800s, which means all of his super-villain trappings make him look ridiculous.  Is "reverse-anachronistic" a term?  If not, it certainly should be, and Sting-Ray can be his poster child.  His Doctor Doom level plot of becoming "Emperor of the West" is certainly a lofty goal, but his means of achieving it are a bit lackluster.  He robs a book fair fund raiser and kidnaps a girl, both acts apparently meant to cement his status as God Emperor of New Mexico.

On the subplot side of things, Carter Slade's personality takes a major nose dive in this issue, and all I want is for the poor guy to man up and either get over Natalie or tell her how he feels.  Instead, his idea of flirting is to be mean as shit to her and then wonder why she keeps coming back for more.  It's an odd way to court a girl, even for the Old West, but I can't fathom Natalie's interest in Slade.  He's boring as toast, the "nice guy" who can't help but be overshadowed by Clay "Fireballs" Rider and Benjamin "I'm Totally Not Banging My Sister" Brooks.  The romantic back-and-forth between Natalie and Carter is dead on arrival, much like the plot for this issue as a whole.  The one interesting thing to note is the end, which sees Ghost Rider simultaneously saved and framed by the returning Tarantula, who is so much more interesting than the Sting-Ray, terrible accent and all.

I will say, though, that I'm coming around to the Dick Ayers/Vince Colletta art team.  I don't know why, maybe because Colletta was more at home inking an issue with a supervillain, but they really clicked on the visuals for this issue.  The Western Ghost Rider still manages to maintain a spooky façade, even when he explains his tricks ad nauseum to the readers, and Ayers could draw this guy like nobody else.  If he'd toned down the superhero influence on the design, I could almost see the Sting-Ray working, but the cape and tights just send it over the top, no matter how cool the hood-mask looks.

I've enjoyed the 60s Ghost Rider series as a product of its time, but this issue just drowns in its attempts to be something its not. 

Grade: C-

Here Comes HELL!

So, with the podcast now actually happening (first episode is in the can, next one scheduled for recording in about two weeks!), I've been thinking about future projects.  The blog will continue on as always, though the updates might not be daily anymore since I'm focusing more time on the podcast preparation and editing processes.  Eventually, I'm going to make my way all the way through the past comics, though, and that gave me an idea.

How many of you would be interested in seeing Vengeance Unbound in book format? 

I've been considering the self-publishing route to get the hundreds of comic reviews into physical book form, sort of my own version of the Ghost Rider Official Index that Marvel released a few years ago.  I'd likely have to break it down into volumes, say one for the 70s series, one for the 90s, and one for the 2000s and up.  It would be print-on-demand, obviously, so printing fees would be minimal.  Even if no one else is interested, having something like this on my own personal bookshelf would be an awesome accomplishment.  I've been working on these reviews for over 10 years now, and damn it I WILL finish what I started and review every Ghost Rider comic published.

That said, the blog's 400th review is coming up in the next week or so, and I've been trying to think of an appropriate comic to look back at for such a monumental number.  Should I look at "Crossroads"?  "Ghost Rider/Captain America: Fear"?  "The Dark Design", even?  This will take more thought, methinks...

Anyway, that's the shop talk out of the way.  Brian and I look forward to hearing your thoughts on Inner Demons after the first episode is released, look for it some time in March.  Here we are, eagerly anticipating the podcast launch!

Chris and Brian: The Brothers Ghost Rider!

Secret Avengers (2010) # 21.1

Cover Artist: Patrick Zircher
Published: March 2012
Original Price: $2.99

Title: "Red Light Nation"
Writer: Rick Remender
Artist: Patrick Zircher
Letterer: Dave Lanphear
Colorist: Andy Troy
Editor: Tom Brevoort
Editor in Chief: Axel Alonso

SYNOPSIS
Captain America and Hawkeye are in Bagalia, an Eastern European country that is a "red light nation", meaning it is a haven for crime where anything goes.  The two Avengers are there to rescue an American senator that is targeted for assassination, all while not being seen to avoid a diplomatic incident.  When they locate the senator, Hawkeye rushes in an sets off a trap, where the senator is actually a walking suicide bomb.  They manage to escape the trap, and while he admonishes Hawkeye for his tactics he admits that he is testing his ability to lead the Secret Avengers.  Cap knew they were walking into a trap and wanted to see how Hawkeye handled it, which causes Hawkeye to storm off in anger.  Before Cap can stop him, he is ambushed by Vengeance, the self-proclaimed "Spirit of Pollution" who attempts to turn the Avenger's corruption back upon himself.  When it doesn't work, the other two members of the Masters of Evil, Whiplash and Princess Python, step in to subdue the hero.

Hawkeye hears about Captain America's capture as he's leaving the country by train, while the Masters of Evil have him captive in a skyscraper.  The new Masters, and indeed the whole country, is being controlled by Max Fury of the Shadow Council, and he plans to use Captain America's invasion of Bagalia as a way to ensure the country's freedom.  Hawkeye, using a SHIELD camouflage device, has infiltrated the guards and quickly disables the Masters of Evil while rescuing Cap.  The two heroes escape using a rocket arrow, reaching their plane above the city, and Hawkeye agrees to lead the covert team.
ANNOTATIONS 
This incarnation of Vengeance is Kowalski, who last appeared in Ghost Riders: Heaven's On Fire (2009) # 6.  He will appear next alongside the rest of the Masters of Evil in Secret Avengers (2010) # 29.
REVIEW
Rick Remender begins his run on Secret Avengers, utilizing a forgotten Ghost Rider as part of his new Masters of Evil.

I was a huge fan of Remender's run on Uncanny X-Force, so seeing that he was taking over Marvel's other covert super-team book had me really excited.  Secret Avengers was a series that hadn't really clicked for me by this point, though I had really enjoyed the six-issue run by Warren Ellis immediately before this issue, so I was hoping that Remender would really come in guns blazing to give the series some much needed direction.  While his run on the book wasn't mind-blowing or even up to par with Uncanny X-Force, it was still a pretty good series that had its high points (and it's low ones, like the dire "Avengers Versus X-Men" tie-in arc).

What I definitely didn't expect when I picked up his first issue was to see freaking Vengeance, of all characters, show up.  The Masters of Evil are a well-known Avengers staple, with a rotating membership as deep as the Avengers themselves, but Remender really dug around for some interesting new blood for his version of the team.  Vengeance was not only brought back as one of the core members of the villain team, he's also given a really interesting revamp that I loved.  He maintains the visual design given to him by Roland Boschi in the "Heaven's On Fire" mini-series (and yes, this is Kowlaski, though it's not said in the comic itself, interviews with the creators around this confirmed the identity), but the flames have been colored a bright green.  It makes the character even more striking, while also separating him from Ghost Rider.  Also different is the character's "Spirit of Pollution" angle, which gives him some great dialogue as he attacks Captain America.  "Suffer the Pollution Stare of Vengeance!  Magnifying your corruption until it consumes you!"

The artwork in the issue is by a Marvel veteran, Patrick Zircher, who turns in a really great looking comic.  He has a straight-forward superhero style that's also appropriate for the dark world of covert spy business.  His action scenes are easy to follow and the characters all move naturally across the panels.  His two-page introduction of Vengeance are amazing, it makes the character out to be an immense threat even against Captain America.  I really dislike Hawkeye's costume from this era, but that's not Zircher's fault, he does what he can with what he has to work with.

Remender won't pick up this storyline again until eight issues later, when the Avengers return to Bagalia to confront the Masters of Evil.  Vengeance will continue to be a major threat during that arc as well, and I still think it's great that Remender dusted the character off.  While it's certainly not a "must read" for Ghost Rider fans, it's definitely worth picking up. 
Grade: A